![]() ![]() Pathos comes from the Greek word for suffering, but the word is generally considered to mean all emotions. The triangle of rhetoric offers three specific ways to do this so let’s look at each one. A good writer ideally crafts a character that’s sympathetic, relatable, or even despicable - but one the audience can get emotionally invested in. Think of them as techniques of persuading your audience to keep watching or reading. That’s where ethos, pathos, and logos come in. If you don’t succeed at convincing them, the audience will likely walk out of the theater or turn the TV channel. As a storyteller, you must entice the audience to care about the characters in your story and agree to go on the hero’s journey with them. The Rhetorical Triangle (Credit: Flickr) How to Use Ethos, Pathos, and Logos in Your ScreenwritingĮvery filmmaker has one main job: to get their audience involved in their story on an emotional level. Logos: The “Appeal to Logic” that attempts to persuade an audience using reason, facts, and rationality.Pathos: The “Appeal to Emotion” that attempts to persuade an audience using their emotional response to things like hooks, metaphors, anecdotes, or even impassioned speeches or dialogue. ![]() Ethos: The “Appeal to Authority” that attempts to persuade an audience that what’s being communicated is coming from someone qualified or credible.Known as the rhetorical triangle, ethos, pathos, and logos are modes of audience persuasion that originated in ancient Greece and were defined by the philosopher Aristotle (384-322 BCE). Guess what - they can! These concepts can serve as writing tools that can help you communicate your story to the audience in a way that encourages them to suspend their disbelief and fully engage in your film. Learn how the “Rhetorical Triangle” can supercharge your storytelling.Įthos, pathos, and logos – what are they? Chances are you’ve heard of them before, but haven’t considered how they can help your screenwriting. ![]()
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